Erin Brockovich
Starring Julia Roberts and Albert Finney
Movies based on reality have a tendency to find themselves on television, unless of course, Julia Roberts is starring in one. Which is the case with Erin Brockovich.
Broke and with three small children to support, Erin Brockovich (Julia Roberts) pleads with her lawyer to give her a job. Ed Masry (Albert Finney) relents, with great reluctance, and from that point, many lives are changed.
When she sees medical records in a real estate file, Erin’s curiosity is peaked, and she tries to figure out why Pacific Gas and Electric has paid for the medical expenses of a family whose house it wishes to buy. When she discovers a major pollution cover-up that has caused the illnesses of hundreds of locals, she convinces Masry that a lawsuit is in order. This, of course, paves the way for the biggest single pay out in American lawsuit history.
It is a David vs. Goliath story, of course, where we cheer for the little woman with the trashy wardrobe and hope she annihilates her big corporate opponent. I feel like I have seen this before, perhaps as a movie of the week long ago. It sounds identical in plot to A Civil Action. The plot familiarity does not make the movie any less enjoyable, however.
The character of Brockovich is loud, abusive, and strangely sweet. Her wardrobe could never be called sweet, and she has the mouth of a trucker, but she genuinely cares about the people she is trying to help. Roberts conveys a great deal of inner conflict, a woman torn between the time she wants to spend with her family, and the time she needs to help people wronged by the system.
Now, I am not overly fond of Julia Roberts, but she is truly likeable in Erin Brockovich. Coarse and sexy, she puts in a great performance. Her character is so over the top in all that she does, yet Roberts manages to keep her (relatively) real throughout the film.
Albert Finney is wonderful as the hard-as-butter lawyer who is reluctant to take a simple real estate case and turn it into a major lawsuit against a huge corporation. He appears to be simultaneously a sleazy lawyer and a genuinely nice lawyer, bringing dimension and depth to the role.
The film is filled with surprising characters, seemingly self contradictory, which makes them real and honest, especially in a film based on true life. Brockovich is not portrayed as a saint, as would be expected in this genre, and her biker boyfriend/ nanny George (Aaron Eckhart) is a delightful character as well, surprising the viewer with his warm heart.
The major qualm I had with this film was the exceedingly bad camera/ editing work. There are very few films I have seen where a boom mike actually hangs into a shot for several seconds, wavering uncertainly as if to say ‘hi mom’, before slowly meandering away. Why that scene was not edited is beyond me. The film work is also of a quality that is less than normally expected on a big screen. However, this adds a certain grit to Erin’s cockroach ridden home, gives the locales a small scale, non-glitzy feel.
The only clue that this film is a big-budget Hollywood movie is Robert’s ten thousand watt smile and her outrageous wardrobe (which I’ve heard is more conservative that the real Ms. Brockovich’s). Funny and warm, this movie is enjoyable despite it’s familiarity, and allows the audience smile with Roberts all the way through. 8 out of 10.
Bookmarks